The Auditorio de Tenerife is Tenerife's modern auditorium designed by Santiago Calatrava and has a style reminiscent of the Sydney Opera House. Nearby is the Port of Santa Cruz de Tenerife which is home to the Auditorio, the most iconic building of Tenerife. The square has a large artificial lake and is very attractive and a great place to pass some time. The Plaza de Espana is the heart of Santa Cruz de Tenerife and is the biggest Plaza on the Canary Islands. If you are looking for some lively nightlife then head down to Avenida Anaga on the waterfront. Between here and Plaza de Candelaria is an excellent shopping area and Calle de Castillo is the main shopping street. In the town itself head for Plaza de Espana near the harbour. With palm trees and a back-drop of the Anaga mountains it is consisdered the most beautiful beach on Tenerife. Santa Cruz's main beach is 'Las Teresitas' which is a fine golden beach courtesy of millions of tonnes of sand from the Sahara desert. Even today the harbour is one of the busiest in Spain and is also an important harbour for the cruise ships which visit Tenerife from around the world. Its deep natural harbour has historically led to a period of wealth and many fine historic buildings can be seen in the city. Santa Cruz de Tenerife is the island's capital and shared capital of the Canary Island. Santa Cruz de Tenerife was named one of the best five places to live in the world by 'The Guardian' newpaper in 2012. It is on the north-east coast of the island. What is amazing is that this was just finished by your shop earlier this year, so it’s “the worst it is ever going to sound” right now, and it’s already the best guitar I’ve ever played.Santa Cruz de Tenerife is the capital of Tenerife. Heirloom quality both in aesthetics and in sound. This guitar took the positives I heard from the other BRW guitars, and turned up the dial to 11. Santa Cruz isn’t just using Brazilian rosewood in the 1934D, they’re using the real deal old growth Brazilian. However none of the other Brazilian guitars inspired me to pay the extra money for them, and those guitars were half the price of the 1934 D. Brazilian just sounds so much sweeter, has a more balanced sound, and more controlled and pleasing overtones than East Indian. I’ve played a few Brazilian backed guitars in the past (Martin, Taylor and Bourgeois) and can appreciate the tonal difference between Brazilian and East Indian rosewood. I am so grateful to your shop’s attention to detail and craftsmanship. This 1934 D feels and sounds like it’s in a class of its own. I own some mighty fine instruments, two of your OMs, a Collings OM, a Bourgeois D Vintage Heirloom, a Huss and Dalton TD-R. She has made every other guitar in my collection weep.
SANTA CRUZ HOW TO
Tuned her up to pitch and I don’t know how to say this. I hope that we have captured some of the spirit of your fine legacy through the loving creation of your signature model. Thank you Happy and family for your service to others and for your profound influence on me and the values of Santa Cruz Guitar Company. The number of times you’ve heard his influence in the recordings of others is incalculable. From the beginnings in Washington Square, through Woodstock (the state of mind), and with many of today’s vibrant new acoustic artists, you’ve heard Happy’s personal rock-solid guitar and vocal presence at least 10,000 times. Happy is the musician’s musician, having supported and launched a hundred stellar careers with his Homespun Tapes. Its influence has affected my choices in education, my circle of friends, my career as a guitar maker, my good fortune in marrying up and the lasting and fulfilling friendship with Happy and Jane Traum and their gifted family. That instructional book from Happy Traum made a bond between me and my guitar that has become the determining factor in my life’s direction. This turned out to be Happy and Artie Traum’s Fingerstyle guitar method with Tablature, a way to see how to play guitar just like my musical heroes on the old records. How the heck did adults even know who John Hurt was, I wondered. In the upper racks, next to the Police Gazette and Swank was a book with a picture of Mississippi John Hurt on the cover. Instead, I found a book that changed my life. Ramparts was the only, bomb in every issue, alternative press I could access. My hometown of 17,000 then was in the middle of the Great San Joaquin Valley and a vast cultural void. Today we made a dream come true! The Happy Traum Signature Model completes the circle begun in 1969 when I snuck into George Brown’s Newsstand to get the new Ramparts Magazine. Introducing the new HAPPY TRAUM SIGNATURE MODEL HT/13
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